Comparing a play to two poems

Comparing a symbolize to two versesA ladder, a lyric rhyme and an desperate poe prove argon some of the kinds of literary works. A play is normally written by a soulfulness have it offn as a playwright, it usually consist of scripted chat among offices who aims at performance rather than reading. Hence, play can be employ to refer to two playwrights written work as substantially as to their exclusively theoretical performance. A play can either be a comedy (Designed to be humorous), farce (Generally nonsensical form of a play), a satire (Generally meant to poke fun at current situations, issues, places and batch), catastrophe (These more often than not involve death or tragic events meant to make people feel sad) and historical (Focus on actual historical events and may overwhelm all early(a)wise play types.) A verse is simply a composition in verse form. Poems depend strongly on distinct word choice, metaphors, and symbolism. One can non readily temperize poet ry precisely. Typically though, poetry as a kind of literature makes significant use of the genuinely properties of the words it uses All these literary works make use of variant elements which include plot, setting, theme, record and style. These elements therefore become the basis by which these literary works are contrastingiated from i an separate. Analyzing the element of pillowcase in these tierce categories of genres leave show how similar they can be and to the tip they differ.A play has three major categories of characters i.e. the patron, the resister, and the foil characters. The protagonist is the principal(prenominal) character in a play. The word protagonist means the atomic number 53 who plays the first farewell, the chief actor. The terms leading role, major character and bomber are differently and sometimes not so well delineate and, depending on the origin, the theme, the setting and the style may denote different concepts of a story, for congre ssman, in fiction protagonist story big businessman be narrated from the stall of a various character. This character may be save not necessarily the narrator. An example would be a narrator who relates the fate of a protagonist, perhaps as a famous figure recalled in a historical perspective. The chief rival of the leading role is a character known as the opponent, who represents and creates barriers that must be overcome by the protagonist. As with a protagonist, there might be more than one opponent in a story. Sometimes, a play may take a particular character as a protagonist in the new(prenominal)(a)(a) stages of a play only to dispose off that character in the later study of the play as a dramatic gizmo to make the play interesting. Such a character is known as a false protagonist. Where a play contains sub plots, these sub plots may contain different antagonists from the main plot. In some plays, characters might not be easy to identify, since multiple plots in the plays do not accord clear identification of one as the major plot. Such characters are illustrated in Alexander Solzhenitsyns The First Circle, showing a variety or different characters imprisoned and live in a gulag camp, or in Leo Tolstoys War and Peace depicting 15 major characters bear on or affected by a war.The antagonist in a play is the opponent, competitor or the rival of the protagonist character. This character presentments the contrary in the play for which the protagonist must fight to overcome. In other words, a person or a group of individuals opposing the protagonist i.e. the protagonist is or are the antagonist or the antagonists. In the storys uncorrupted style whereby the in the action involves a submarine fighting a villain, the two parties can be considered respectively as protagonist and antagonist. The antagonist is not constantly the bad character, but simply those who oppose the major character unlike popular belief. The antagonist is in no focal point in any play the well-grounded guy.Play writers cook as well formed more complex situations. In some situations, a story is told from the wicked persons point of ruling, and any protagonist trying to block up the wickedness can be considered as antagonist. In the story K-19 The Widowmaker an American movie of the Soviet Cold War submarine group, United States enemies as portrayed as protagonists, creating a paradox, as incessantly the American take industry tries to portray the forces of the America as the people fighting for good and justice, which is contrary to Russia (particularly the former Soviet Union) being as the antagonists who always have maniacal intentions (like world control). Characters of that kind are typically police officers or other law enforcement bureaucrats. Antagonists and protagonists can overlap at a time, in regard to what their final objectives are considered to be.A foil is a character that contradicts another character (in most cases the protagoni st) so as to bring step forward the different features of the chief characters temper and to throw the trait of the main character into sharper relief. A halt always posses some significant individualizedity in common with the other character, frequently, superficial traits or personal history. A corresponding task of the foil might be accentuated by tangible dissimilitudes. For instance Don Quixote the dreamy and impractical in Cervantes is thin in comparison to his cohort, the practical and realistic Sanco Pansa who is fat. Sherlock Holmes is tall and bleed thus becoming additional popular illusory character Dr. Watson is always described as middle-sized, strongly built. However, the straight man in a comedy pair is a comic foil. The other illustrates a humorous, dumb, or just unconventional one date the straight man presents a practical and serious character. The funniness in these affiliations cases from the relations among these drastically different personalities. In s ome other cases, a subplot can always be used as a halt to the major plot. This is particularly genuine in the case of Meta-fiction together with the story within a story motif.The style with which poetry is written by the poet depends on the various elements of literary works including the purpose and the core it is meant to deliver. Poetry also has characters as a play(Alexander, 1988). This is one major similarity between a verse form and a play, however, while the characters in a play are categorized into three major ways depending on the role taken by individually of the characters, a poet is one major character in a poesy who principally centers the theme of the rime to another character which includes both the backing and non - sustenance things. In a play the characters are majorly human beings or living things associated with supernatural being. In a poem, the characters various greatly from places, people, objects, super naturals, etc.As we are aware, both the play and poems are of various categories. A play focuses on love, praise, politics, gods and ancestors and so on. Poetry is also categorized into the quest depending on the topics as highlighted above. It is therefore only imperative that the kind of characters in both the play and a poem therefore depends on the menage within which these literary works belong. Poems in some cases can be categorized into more than one category and therefore one engage not to focus on this classification too much.In analyzing characters in a poem, lyric poetry is a form of poems that expresses personal feelings of the poet. For example, amative lyric poetry consists of first-person accounts of the opinions and approaches of a definite moment feelings are tremendous, but personal. As opposed to a play Wright, the poet becomes the central attention in a lyric poem because of these personal feelings and not the characters themselves as seen in a play. The character in such a poem for example becomes the lovers, the moments shared by the duo, the features of a place or the feeling of one lover to another. One of the lovers might be the poet in which case expresses a personal feeling.This is similar to a play in the sentiency that both have characters but totally different from the viewpoint that in a play, the characters has particular roles such as overcoming the obstacles presented by the other character while in a poem the characters becomes the sum from which the theme and the message of the poem is derived. As noted, a play has stages where the conflict is developed, where it is at its maximum and amply developed and where in the end a solution as a result of such a conflict is reached (Alexander, 1988). The role of characters in a play is therefore one of convey bulge such conflicts, developing the conflicts and finally availing a way of solving the conflict. This is different from the poem where majorly the poet praises, or generally gives a particular description of o ne character to emphasize his personal feelings towards such a character. In general, the poem may be regarded as a mere prose however, in deeper form it quiet intensely and appealingly brings off and expresses the personal feelings of the character (usually the poet) towards the other character (e.g. love). In the poem Wedding Eve by Dr. Everett Standa, Should I Or should I not Take the oath to love For ever this person I know little somewhat? To love with place hope?The poet here is in discourse with himself. In this poem, the poet introduces dialogue and achieves a conversational tone with himself. He is expressing his fears about marriage and the uncertainty with which man and woman take each other to the altar for matrimony. But Standa is doing it in an enquiring or questioning way. In other words, he is posing rhetorical questions which do not necessarily control immediate answers but which gives the reader an hazard to reflect upon the issues the poet is raising includi ng his feelings. The characters in this poem are the poet and the woman who is to take him to the altar (Everett, 1999). The poet expresses his feelings and doubts towards this marriage. The woman is brought out as the centre of analysis. She is the reason the poem is composed because the poet keeps on enquire whether the woman is truly and sincerely in love with him or his riches.An epic poetry is a long narrative poem. It is mostly bear on with a serious subject with details of the chockic actions and happenings important to a kitchen-gardening or a country. However, the first epics were the products of pre literate communities and traditions. In these times, the epics were transmitted to the viewing audience and from the actor to actor purely by oral means.epics try to be constructed in the short episodes, all of equal status, interest and significance. This facilitates easy memorisation as the poet recalls every episode in turn as well as using the whole episodes in recre ating the complete epic to be performed. Epics present characters of high position in adventures creating a natural whole via their interactions to a major heroic figure and also through their episodes development that is important to the history of a country. The main character is the hero. The hero takes part generally in a repeated journey or mission, encounters opponents that try to defeat him and returns home considerably reformed by the journey. The epic hero shows characteristics, actions and exemplifying some morals that are greatly valued by the connection from which the subject comes. Most heroes are repeating characters in their natural cultures legends.An epic poetry is different from the lyric poetry in the sense that while the former is a long narrative poem concerned majorly with legends, the latter is a poem expressing the individual attitude of a poet. The character in an epic poem is usually a person, object, or a thing associated with some supernatural power whi ch forms cultural and beliefs of a community. The poets pronounce a peoples collective experience it must enrich the precious effective in which the sinews of the collective group are preserved (Everett, 1999). The character therefore, offers an opportunity for shared experiences since it consists of spontaneous recollections which stir the emotions of the community. While a play might also convey the same legends, the protagonist character is helped by other characters to attain the appraisal status which the community sees as being of supernaturalism and hence contains some cultural associations. This therefore brings out clearly the difference in terms of characters between a play and an epic poem. The poem Nyalgunga by A. D. Amateshe, .. you led selfless life Now you return home, a hero, Crowned in silent casket Your speech and sight embalmed. You will need a guide, our son,..This poem talks about a hero who died fighting for the freedom and liberty of a community known as t he Luo in Kenya. It brings out the ways and the styles of the community on burying a hero and the warm send off the Hero receives during burial (Amateshe, 2004). He becomes a memory and a mentor of the young boys in the community who holds his name high and usually strives to be like him. The poet showers the character with praises bringing out in details the characters personality and journey that makes the members of the community view him as a hero.In conclusion therefore, the character as brought out in these three literary works shows some similarities and differences. All the three literary works makes use of characters in building and bringing out their story. In a play the characters convey the message to the audience in the same way the character in a lyric poem conveys the feelings of the poet to the audience. In an epic poem, the character usually a hero associated with supernaturalism conveys either a moral lesion or a strong type by which the ways of a particular commu nity lives and is shaped forming a major basis of their culture and beliefs. Of the three, however, the various characters depend on the style, the setting, the message or theme of the literary work. The number of characters varies in a play with its length and the message while in the other two literary works, the character is usually one. This one character becomes the centre of analysis by the poet. In a play, the main character is helped to fight against the obstacles presented by the antagonist to solve the conflict as brought out in the play. In the other two literary works the character becomes the only attraction and the centre from which the story is developed. References Alexander S. (1988). The First Circle. New York Harvill P Amateshe D. (2004). Nyalgunga. Franklin Watts American subroutine library Association Everett S. (1999). Wedding Eve. Oxford University Oxford University Press